Intro: Jon Keith
Alright, hold on
Hold on, ayy
Chorus: Jon Keith & Miles Minnick
Ayy, welcome to the club (Club), West Indies up (Up)
Whole gang getting pressed, Heaven keep on showing love
God put hands on my life, bro, I grew up in the cut (In the cut)
So I gotta do it right, California, what's up?
Ayy, welcome to the club, West Indies up
Whole gang getting pressed, Heaven keep on showing love
God put hands on my life, (Uh, uh), bro, I grew up in the cut (Yee!)
I gotta do it right, California, what's up?
Verse 1: Jon Keith
Welcome to your wakeup call, time to change your top ten
Me, I let 'em see the flaws, you're photoshopped and cropped in
Ever since Hammershaw, me and God been locked in
And since I got the King involved I don't know where my opps been
Where y'all at?
Spirit been speakin' through me, Daygo, let's make a movie
Demons can't move me, I'm rock solid like King Bumi
My Padre been makin' hits, I'm battin' a hundred, truly
Luci, get out my face, I said I don't need a groupie
The hate gettin' shot down, the game is on lockdown
The Pharisees on my page, well welcome to block town
Since gettin' washed out, lil' homie's lost now
My family locked up, this prayer all I got now
We took it from ten and milly, feel like I got no Achilles
You heff and went poppin' pillies 'cause we 'bout to slap 'em silly
Oh, this is the Renaissance, you already know the Dyllie
Cali is getting chilly, for real, ayy
Chorus: Jon Keith & Miles Minnick
Welcome to the club, West Indies up
Whole gang getting pressed, Heaven keep on showing love
God put hands on my life, bro, I grew up in the cut
So I gotta do it right, California, what's up?
Ayy, welcome to the club, West Indies up
Whole gang getting pressed, Heaven keep on showing love
God put hands on my life, bro, I grew up in the cut (Yee!)
I gotta do it right, California, what's up?
Verse 2: Miles Minnick
Hey, welcome to your alarm clock, I'ma change the big three
Been busy on D-N-D, bruh, I know you been seein' me
Now you throwin' shots on your IG Live, but they miss me
Now you hate from outside the club when you could've got in for free
Wanna narc out all the way to the border
Call up Rosco but he already know the order
Reppin' West Coast, yeah, way before the Drake beef
Followed God's plan then he seein' where it take me
Pedro resident, young garage rapper
You be chasin' fantasies, you're a mirage-grabber
West Indies club off-limit to all cappers
Caught 'em sneakin' in, they look like they saw Casper
I done turned a dollar to a dream, look what He done to me
Young child of God, and He fought for the custody
It's low-key kinda crazy how they think the street discussin' me
Put my brothers on, now we buzzin' like a honeybee
Chorus: Jon Keith & Miles Minnick
Ayy, welcome to the club, West Indies up (Up)
Whole gang getting pressed, Heaven keep on showing love (Showing love)
God put hands on my life, bro, I grew up in the cut (In the cut)
So I gotta do it right, California, what's up? (What's up?)
Ayy, welcome to the club, West Indies up
Whole gang getting pressed, Heaven keep on showing love
God put hands on my life, (Uh, uh), bro, I grew up in the cut (Yee!)
I gotta do it right, California, what's up? (What's up?)
Miles Minnick & Jon Keith - CLUB (Official Video)
Club Song Meaning, Biblical Reference and Inspiration
The song "Club" by Miles Minnick featuring Jon Keith offers a dynamic declaration of faith and identity within a spiritual community, presented through a hip-hop lens. Released alongside its official video on February 28, 2025, the track establishes a clear contrast between the artists' chosen path and the conventional or superficial world. The central metaphor of the "club" represents this exclusive space defined by divine favor and authentic connection, contrasting it with the external world from which detractors "hate from outside." This club isn't based on worldly status but on a transformative relationship with God, emphasizing that entrance was "for free," highlighting grace.
The lyrics delve into the artists' personal journeys and the spiritual battles they navigate. Phrases like "grew up in the cut" and "God put hands on my life" speak to overcoming difficult origins through divine intervention. Jon Keith's verse introduces the concept as a "wakeup call," urging listeners to reconsider their priorities and distinguishing authentic growth ("let 'em see the flaws") from curated appearances ("photoshopped and cropped in"). He references spiritual protection and resilience, feeling "rock solid" against opposition ("Demons can't move me," "Luci, get out my face"), attributing his success and hits to his relationship with "Padre." The "block town" mentioned for "Pharisees" signifies removing negative or judgmental influences from their space. This reflects a spiritual stance against forces that oppose genuine faith and progress.
Miles Minnick's verse continues this theme, framing his message as an "alarm clock" intended to shift perspectives. He addresses opposition directly, noting that attacks "miss me" and highlighting the futility of those on the outside ("could've got in for free"). He references his origins as a "young garage rapper" who has seen divine transformation, turning "a dollar to a dream." His reference to God fighting for "custody" powerfully illustrates his identity as a child of God secured by divine protection. The idea of putting "brothers on" and now "buzzin' like a honeybee" signifies a community's collective success and impact stemming from their shared faith and divine backing. The "West Indies club" is explicitly stated as "off-limit to all cappers," emphasizing the requirement for authenticity and truth within this spiritual collective.
The themes of spiritual protection and strength against opposition found throughout the song resonate with scripture such as Ephesians 6:12, which speaks of wrestling not against flesh and blood but against spiritual forces of evil. The idea of God putting His "hands" on their lives and guiding them echoes Jeremiah 29:11, detailing God's plans for welfare and a future. The resilience described against demonic forces and negativity aligns with James 4:7, instructing believers to submit to God and resist the devil, who will flee. Furthermore, the transformation from humble beginnings to making an impact through faith reflects principles found in Philippians 4:13, empowering believers to do all things through Christ who strengthens them, and Psalm 1, describing the blessedness of those who delight in God's law and prosper. The song powerfully asserts an identity and community rooted in divine grace and protection, celebrating their journey and success through faith.
